Jazz Samba Encore! - Stan Getz with Luiz Bonfa HDTT15922
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DSD256, DSD128 & DSD64 Direct Stream Digital formats are only playable on compatible hardware and software.
24bit 352.8kHz PCM Flac (DXD) DXD is only playable on compatible hardware and software.
24bit 192khz PCM Flac is playable on most all playback devices
24bit 96khz PCM Flac is playable on most all playback devices
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Compact Disc Options
Compact Disc Options
Gold Premium Compact Disc 300+ years longevity - The recording layer resists UV and heat better than other discs. Includes Complete Jewel case and Liner Notes
Regular Premium Compact Disc
Includes Complete Jewel case and Liner Notes
Budget Compact Disc contains only the disc without jewel case or liner notes
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Released in 1963, the album followed the groundbreaking Jazz Samba, which had already set the stage for the global bossa nova craze. Jazz Samba Encore! is sometimes seen as a more subtle and introspective follow-up. It showcases the continuing relationship between Stan Getz and Brazilian musicians, particularly Luiz Bonfá and Antonio Carlos Jobim, two of the most important figures in Brazilian music. While Jazz Samba was recorded with guitarist Charlie Byrd, this album brings Bonfá's more distinctly Brazilian guitar style to the forefront.
In terms of critical reception, Jazz Samba Encore! is often viewed as a more nuanced and complex work than Jazz Samba. The interplay between Getz and Bonfá creates a more organic fusion of jazz and bossa nova, with each musician complementing the other’s strengths. The album remains a key document in the bossa nova movement and an essential listen for fans of both jazz and Brazilian music.
Artist(s): Saxophone [Tenor] – Stan Getz
Guitar – Luiz Bonfa, Antonio Carlos Jobim,
Vocals – Maria Toledo
Piano – Antonio Carlos Jobim
Bass – Don Payne, George Duvivier, Tommy Williams
Drums – Dave Bailey, José Carlos, Paulo Ferreira
Recording Info: Originally Recorded in New York City, Feb. 8, 9 & 27, 1963.
Producer – Creed Taylor
Director – Val Valentin
Engineers – Bob Simpson, Phil Ramone, Ray Hall
Transferred from a 15ips 2-track tape
Analog: Transferred using a modified Otari 5050 tape deck feeding a Merrill Tape Preamp
Digital: Merging Hapi Analog to Digital Converter clocked by an Antelope Audio 10MX Atomic Clock
Power Conditioning: Shunyata Research Everest 8000 for all components
All components grounded to Shunyata ALTAIRA Hubs
Please Note: This release was edited in DXD PCM from a DSD256 Master
then the DXD edited master was used to generate the final DSD files using
Merging Technologies Album Publishing.
DXD (352.8KHz 24/32 bit PCM) is one of the best and least destructive formats for post-processing DSD originated digital recordings
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