Berlioz Symphonie Fantastique - Charles Munch Boston Symphony Orchestra 1954 Recording - Pure DSD
Title: Berlioz Symphonie Fantastique op. 14
Artist(s): Charles Munch conducts the Boston Symphony Orchestra
Recording Info:
Recorded by RCA records 1954
Engineer - John Crawford / Producer - John Pfeiffer
1 I Reveries; Passions 13:23
2 II A Ball 6:12
3 III Scene In The Country 13:56
4 IV March To The Scaffold 4:30
5 V Dream Of The Witches' Sabbath 8:39
Total Time: 46:42
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Berlioz/Munch 1954 fantastique sounds more fantastique than ever.
As I've come to expect from hdtt, this reissue makes what was already a very good recording for its time even better. You don't need me to tell you It's a great performance. As most readers of this review will know, Munch made two recordings of this symphony with the BSO, the other in 1962. I have resolved the confusion in my previous review: this is indeed the 1954 version. I have that other performance on a Sony two-disc reisssue that includes the complete Roméo et Juliette. It sounds pretty good, but not as pure and transparent as this hdtt of the 1954. Comparing the two performances, I find myself agreeing with Ralph Moore, Jonathan Woolf, and David Hurwitz (three people who don't tend to agree with each other) that 1962 is marginally preferable. Before looking at these reviews, I came to the conclusion that 1962 is more coherent without losing the wildness of the sudden contrasts, though 1954 is more extreme in this respect. 1962 is actually slower than 1954, mainly in movements 1, 3, and 5--the waltz and the Marche au supplice are pretty close to the same. But in the first movement and the very long 3rd, 1954 feels slower, perhaps because the contrasting sections are not as organically bound together. Well, hdtt has the 1962 as well, So, as Woolf put it, why choose when you can have both? I'll be picking up the hdtt version in my next order.

Another great performance in improved sound
My hdtt reviews begin to sound like an LP with a skip in it, but again, here's a classic early-stero peformance sounding virtually like new. The brass has plenty of rasp and menace in the marche au supplice, but it's the lyrical quiet parts that impress still more: secondary voices come through in the transparent remastering, the location of the orchestral sections in space is clarified. I do have one question, however. This performance is identified as the 1954 Munch/BSO recording, not the 1962 remake. However, the timings on the hdtt transfer match up with the timings on the "Living Stereo" reissue, which I believe is the later performance. I have another Munch/BSO performance, on a budget 2-disc set also containing La Damnation de Faust, which has ended up on Sony. I believe this is the 1954 performance, though Sony doesn't provide that information (shame on them!). The most obvious difference comes in the last movement, which is about a minute longer than on the http recording billed as 1954. If anyone can clear up my confusion, I would welcome the help. In any case, this is a very fine Fantastique. The 1954 performance seems to be marginally preferred by most critics, but if this is in fact 1962, there's nothing to complain about.

Wild Ride with Munch
Of the two versions of the Berlioz’s Symphonie Fantastique recorded by RCA with Munch/Boston, this was the first, in the early 50’s, and for me the most satisfying. Again HDTT has done wonders with the original tapes and now we have a great version to listen to on your home set. The last movement is as wild as you will ever want to hear, and oh those bells! I heard this in person in 1956 at the University of Illinois with Munch/Boston/Bells and thought I might have to rely on my memory to experience this work again. But no, HDTT, has brought it ALL back. Do purchase this great version and listen to Munch go wild with full, real sound.
Absolutely amazing
This of course is the famous 1954 recording that RCA never released as a stereo LP. They did release a mono version in April 1956, and at the same time, a 2 track stereo tape GCS-6. Finally in 1994, Classic Records released a stereo version on vinyl which to me, does not have the presence and transparency of this HDTT transfer. The chimes in the last movement are absolutely amazing!

Absolutely amazing
This of course is the famous 1954 recording that RCA never released as a stereo LP. They did release a mono version in April 1956, and at the same time, a 2 track stereo tape GCS-6. Finally in 1994, Classic Records released a stereo version on vinyl which to me, does not have the presence and transparency of this HDTT transfer. The chimes in the last movement are absolutely amazing!
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