{"product_id":"brahms-hungarian-dances-dvorak-slavonic-dances-reiner-vienna-philharmonic-redux","title":"Dvorak Slavonic Dances - Brahms Hungarian Dances - Reiner Vienna Philharmonic","description":"\u003cp data-start=\"3926\" data-end=\"4438\"\u003e\u003cstrong\u003eRecorded in 1960 during Reiner’s European collaborations, these performances capture the Vienna Philharmonic at a peak of stylistic authority in Austro-Hungarian repertoire. They offer an alternative perspective to Reiner’s more famous Chicago Symphony recordings: less overtly dramatic, perhaps, but richly idiomatic and deeply rooted in the cultural soil of the music. As documents, they preserve a moment when national style, conductorly rigor, and orchestral identity aligned with exceptional coherence.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eThe Reiner–Vienna Philharmonic recordings of Dvořák’s \u003cem data-start=\"4502\" data-end=\"4519\"\u003eSlavonic Dances\u003c\/em\u003e and Brahms’s \u003cem data-start=\"4533\" data-end=\"4551\"\u003eHungarian Dances\u003c\/em\u003e stand as eloquent interpretations of music born from folk inspiration and transformed by Romantic imagination. They illuminate the shared lineage of the two composers while honoring their differences: Brahms the classicist reshaping inherited material, and Dvořák the melodist creating new music that sounds timelessly traditional. Through Reiner’s disciplined leadership and Vienna’s distinctive sound, these dances emerge not merely as colorful miniatures but as finely wrought orchestral statements.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eArtist(s): \u003c\/strong\u003eConductor – Fritz Reiner\u003cbr\u003eOrchestra – The Vienna Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eRecording Info: \u003c\/strong\u003eProducer: Erik Smith\u003cbr\u003eEngineer: James Brown\u003cbr\u003eRecorded June 1960 at Sofiensaal, Vienna\u003cbr\u003eSourced from a 4-track tape\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eComponents used for Transfer:\u003c\/strong\u003e \u003cspan\u003eAnalog: Transport - Nagra 4SJ modified with Flux Heads\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003ePreamp - Merrrill Audio Master Tape Preamp\u003c\/span\u003e\u003cbr\u003eDigital: Merging Hapi Analog to Digital Converter clocked by an Antelope Audio 10MX Atomic Clock\u003cbr\u003eSoftware: Merging Pyramix v15\u003cbr\u003e\u003cspan\u003ePower Conditioning: Shunyata Research Everest 8000 for all components with Shunyata Sigma-X Power Cords.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll components are grounded to Shunyata \u003c\/span\u003e\u003cspan\u003eALTAIRA Hubs\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDvořák Slavonic Dances \u003c\/strong\u003e\u003cbr\u003e1 No. 1 In C Major, Opus 46 4:22\u003cbr\u003e2 No. 3 In A Flat Major, Opus 46 4:34\u003cbr\u003e3 No. 8 In G Minor, Opus 46 4:33\u003cbr\u003e4 No. 2 In E Minor, Opus 72 7:22\u003cbr\u003e5 No. 1 In B Major, Opus 72 4:30\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrahms Hungarian Dances \u003c\/strong\u003e\u003cbr\u003e6 No. 5 In G Minor 2:32\u003cbr\u003e7 No. 6 In D Minor 3:56\u003cbr\u003e8 No. 7 In A Major 2:14\u003cbr\u003e9 No. 12 In D Minor 2:24\u003cbr\u003e10 No. 13 In D Major 2:04\u003cbr\u003e11 No. 19 In B Minor 1:48\u003cbr\u003e12 No. 21 In E Minor 1:15\u003cbr\u003e13 No. 1 In G Minor 3:27\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0778\/3319\/files\/dsd256_badge_480x480.png?v=1516987294\" alt=\"\" width=\"110\" height=\"98\"\u003e\u003cbr\u003e\u003cstrong\u003ePlease Note: This release was edited in DXD PCM from a DSD256 Master\u003cbr\u003ethen the DXD edited master was used to generate the final DSD files using\u003cbr\u003eMerging Technologies Album Publishing.\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eDXD (352.8KHz 24\/32 bit PCM) is one of the best and least destructive formats for post-processing DSD originated digital recordings\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eCopyright © \u0026amp; 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