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  • Gary Peacock and Chick Corea - Spontaneity (Pure DSD) IPI
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10/15/2021
Anonymous
Norway Norway

Gary Peacock and Chick Corea – a true classic

This recording is a gem, top musicians at their best. The sound is crystaline with good dynamics and rich tone/timbre, in line with the intention of the performers.

Gary Peacock and Chick Corea - Spontaneity (Pure DSD) IPI
24/192 PCM Flac Digital Download
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10/12/2021
Anonymous
United States United States

Gary Peacock and Chick Corea

Outstanding recording quality. I loved being able to download the different formats to compare. I was most interested in 192/24 vs DSD64–the highest quality my system can decode. Slight edge to the 192/24, actually. Even the giant files downloaded without trouble. And the music is fun—jazz guys having fun.

Gary Peacock and Chick Corea - Spontaneity (Pure DSD) IPI
DSD256 Direct Stream Digital Download
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Gary Peacock and Chick Corea - Spontaneity (Pure DSD) IPI
2 reviews HDTT12434

Genre: Jazz - Combos
Vendor: International Phonograph, Inc.

Description:

Artist(s): Gary Peacock, acoustic bass
Chick Corea, piano
Recording Info:

Two of my favorite musicians are Gary Peacock (acoustic bass) and Chick Corea (acoustic piano). I was lucky enough to record them both in a duet setting with Chick playing the wonderful Mark Allen piano in a lovely acoustic environment. The playing here is modern and free, hence the title. At certain moments it is extraordinary. It is always unfettered and adventurous. Sonically, it was captured on the incredible Stellavox, Stellamaster SP8 tape recorder using only two B&K microphones lending a natural, open sound to the proceedings. As an added note, not long after this session Miles Davis discovered Gary and he spent a year playing with Miles (they never recorded unfortunately). Soon after that Gary achieved lasting fame playing with Keith Jarrett and his trio.  Jonathan Horwich

Recorded 5/6 June 1979 at the Delphian Foundation, Oregon.
Recorded originally at 15ips IEC onto a Stellavox Stellamaster SP8 tape recorder employing two omnidirectional Bruel and Kjaer 4133/2619 capsule/preamp combinations. Microphone preamplification used was two Mark Levinson ML 8s. Custom 9-foot concert grand piano by Mark Allen. Engineered by Jonathan Horwich. 

1. lmprov #1 7:35 (fades at end)
2. lmprov #2 5:24
3. lmprov #3 5:27
4. lmprov #4 5:05
5. lmprov #5 3:21
6. Im prov #6 4:11

      

 

Play Sample Tracks

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