Title: Bruckner Symphony No. 9 in D Minor
Artist(s): Wilhelm Furtwängler & The Berlin Philharmonic Orchestra
Recording Info: Recorded at the Beethovensaal,
Berlin October 7, 1944
Like the Beethoven 9th from 1942, this is a hair-raising performance. Again we get that terrible vision of the abyss, and the necessity, yes necessity, to struggle on despite the impossibility of success. There are other great recordings of this symphony, especially from Jochum. However, none have such an immense sense of tragedy combined with particularly wild heroism. The sound was difficult to equalize, perhaps because the acoustics of the hall is different from the others. However, after much work, I was able to get an excellent sound, combining detail with power. I was excited to hear the wild Scherzo as I had never heard it before!
Eduardo Chibás
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Fine Transfer of an Old Classic
This is on my list of recordings that must always be available, and at the time of writing it was the only transfer of this October 1944 performance that could be bought without buying a multi-disc set. Furtwängler directs a performance of great intensity, that emphasises more than most the bleaker aspects of the score. Some of his tempi might surprise listeners used to the modern approach of striking a tempo for a movement from Bruckner and staying with it for the duration, but the choices seem to have grown out of the music are not designed to make some interpretive point. The recording was made using very early magnetic tape technology, with the improved dynamic and frequency range of tape over acetate. The equipment of the time did not handle loud climaxes as well as later recorders, and some of them do overload, but most of the time the quality is quite good. I compared this transfer to the one that Deutsche Grammophon offer in their Anniversary Tribute series. The DG transfer has clearer treble, but the tape his is also more noticeable. If tape hiss annoys you go for this one which also has richer bass, yet manages to sort out the instruments being played a bit more effectively than on DG. The transfer under review seems to have had some added reverberation or ambience of some sort. It was a bit distracting on headphones, but through my Magneplanars, gave the soundstage a bit more space.

Fine Transfer of an Old Classic
This is on my list of recordings that must always be available, and at the time of writing it was the only transfer of this October 1944 performance that could be bought without buying a multi-disc set. Furtwängler directs a performance of great intensity, that emphasises more than most the bleaker aspects of the score. Some of his tempi might surprise listeners used to the modern approach of striking a tempo for a movement from Bruckner and staying with it for the duration, but the choices seem to have grown out of the music are not designed to make some interpretive point. The recording was made using very early magnetic tape technology, with the improved dynamic and frequency range of tape over acetate. The equipment of the time did not handle loud climaxes as well as later recorders, and some of them do overload, but most of the time the quality is quite good. I compared this transfer to the one that Deutsche Grammophon offer in their Anniversary Tribute series. The DG transfer has clearer treble, but the tape his is also more noticeable. If tape hiss annoys you go for this one which also has richer bass, yet manages to sort out the instruments being played a bit more effectively than on DG. The transfer under review seems to have had some added reverberation or ambience of some sort. It was a bit distracting on headphones, but through my Magneplanars, gave the soundstage a bit more space.


A musical treasure!
A musical treasure! This wartime recording for radio has long been one of Furtwangler's most admired performances. Furtwangler plays this like a religious hymn, with great solemnity, beauty and sheer power. And don't miss the passages with Wagner quartet of tubas, because this is grand music performed in the Wagnerian style. This symphony is a universe unto itself; it is the work of genius. And Furtwangler's commitment and incandescent passion is overwhelming. He weaves a magical blend of contemplative reflection, introspection, lyrically expressive melody, and mercurial celebration all in the space of minutes. Listening to this allows one to touch greatness of both composer and conductor. The sound is extraordinarily good. Eduardo Chibás has done a marvelous job restoring and remastering this recording. The detail is amazing and clear, and the frequency balance seems just right. While the usual caveats apply about the age of the recording and its source, put all of that aside. Yes there a dropouts, there is some degree of flutter here and there, there is the to be expected distortion where climaxes over-saturate, there is some muddiness in the pounding drums... But, the performance eclipses all of this. This is such a wonderful interpretation and performance that everyone with an iota of affinity for Bruckner should have in their music library.
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