Bill Evans Trio - Everybody Digs Bill Evans
Everybody Digs Bill Evans is a foundational work that captures Bill Evans at a pivotal moment of creative transition. Following his debut, this album serves as a definitive statement of his evolving aesthetic, moving away from the hard-driving conventions of the era toward the nuanced, intimate style that would define his legacy.
The recording is celebrated for its deep sense of introspection and masterful harmonic sensibility. Evans’ ability to weave intricate, impressionistic textures into the framework of the piano trio—supported by the fluid, conversational playing of bassist Sam Jones and drummer Philly Joe Jones—creates an atmosphere of profound emotional depth. This interplay reflects a unique musical dialogue where the piano, bass, and drums operate as equal partners in exploration, setting a new standard for the genre.
Beyond the ensemble pieces, the album is marked by moments of solitary brilliance, most notably the spontaneous solo piano improvisation "Peace Piece." This track showcases Evans' signature approach to phrasing and his ability to draw on classical influences to push the boundaries of jazz composition, resulting in a timeless, meditative experience that remains as evocative today as it was upon its release.
Artist(s): Piano – Bill Evans
Bass – Sam Jones
Drums – Philly Joe Jones
Recording Info: Recorded at Reeves Sound Studio in New York, December 1958.
Engineer – Jack Higgins
Producer - Orrin Keepnews
Sourced from a Riverside LP
Components used for Transfer:
This transfer leverages precision analog playback and mastering-grade digital conversion. The signal path begins with a VPI HW-40 Anniversary turntable paired with an Ortofon MC Anna cartridge, fed through a Merrill Audio Jens Phono pre-amp for accurate RIAA equalization. The analog signal is converted via a Merging Hapi converter, synchronized to an Antelope Audio 10MX atomic clock for temporal accuracy. All components receive isolated power conditioning through a Shunyata Research Everest 8000 with Sigma-X cords, while grounding infrastructure utilizes Shunyata ALTAIRA hubs to minimize noise floor and preserve sonic detail throughout the transfer chain.
2 Young And Foolish 5:52
3 Lucky To Be Me 3:38
4 Night And Day 7:35
5 Epilogue 0:39
6 Tenderly 3:31
7 Peace Piece 6:41
8 What Is There To Say? 4:52
9 Oleo 4:06
10 Epilogue 0:40
Please Note: This release was edited in DXD PCM from a DSD256 Master
then the DXD edited master was used to generate the final DSD files using
Merging Technologies Album Publishing.
DXD (352.8KHz 24/32 bit PCM) is one of the best and least destructive formats for post-processing DSD originated digital recordings
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